Saturday 22 October 2016

Fantastic Hollywood Movies Review And News

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2016 Fantastic Hollywood Movies Review And News:

'Do Over': Film Review

Courtesy of ZoeFoxe
High-concept, dumb rom-com.  TWITTER
10/11/2016

Three bros hunt down the first women they slept with years after the fact, hoping to get it right the second time.
A bro-centric rom-com with surprising faith in its logic-defying premise, Ryan Francis's Do Over (not to be confused with Adam Sandler's new film) sends a trio of 30-ish dudes off to find the women they lost their virginities to in hopes of getting it right the second time around. Unfunny even when its redlining energy level suggests it thinks it's hilarious, this is a debut feature that seems very unlikely to earn the director his own second chance.

In the first of many barside conversations here, the lone woman in a quartet of friends declares that her bros are deluding themselves when they recount the magically romantic occasions on which they were deflowered. Everybody knows the first time sucks for the girl, she says, and somehow this impugnment of their adolescent prowess inspires a group mission: Each will track down the woman in question and try to seduce her all over again, hopefully lasting more than 60 seconds in the sack this time.

Nearly everything about the dates that follow screams either contrivance or wish-fulfillment, which, given the movie's title, is probably appropriate, however unamusing. One character learns that the cherry-popping story he has told for 13 years is a misremembered lie, then goes so crazy trying to figure out when he actually lost his virginity you'd think his very heterosexuality was being questioned. Another man, spying on his first partner before he approaches her, sees her sending a teenage son off to school. If you can't guess where that storyline is heading, Do Over might be just your speed.

Distributor: Freestyle Media
Production company: Do A Do Over
Cast: Drew Seeley, Jonathan Bennett, Amy Paffrath, Zack Lively, Gina Field, Hayley Marie Norman, Sarah Karges
Director: Ryan Francis
Screenwriters: Kevin J. Foxe, Ryan Francis
Producers: Gina Field, Kevin J. Foxe, Ryan Francis
Executive producer: Brandon Edwards
Director of photography: Dustin Supencheck
Production designer: Patrick Phelps
Costume designer: Esther J. Han


Not rated, 98 minutes

Great Hollywood Movies Review And Ratings

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2016 Great Hollywood Movies Reviews And Ratings:
‘Asura: The City of Madness’: Film Review

Noh Ju Han
More murderous than maniacal.  TWITTER

Jung Woo-sung and Hwang Jung-min star in Kim Sung-soo’s South Korean gangland saga.
Anyone feeling put off by the presidential candidates’ rough tactics during the current election cycle may find only limited consolation in the depiction of certifiably criminal political practices depicted in Asura: The City of Madness. Veteran writer-director Kim Sung-soo’s darkly cynical crime thriller broke records for an R-rated film at the South Korean box office last month, so fans of explosive Oldboy-style violence may take notice in wider release, but the onscreen mayhem could prove overwhelming for ordinary moviegoers.

While South Korea is said to suffer from its share of corruption, Kim couldn’t find a real-life situation egregious enough to match his ambitions, so he created the fictional city of Annam, where economic redevelopment projects targeting aging infrastructure are a consistent source of graft money for cleverly corrupt mayor Park Sungbae (Hwang Jung-min). Relying on the fearsome intimidation tactics of Han (Jung Woo-sung), a police detective chronically on the take, Mayor Park begins preparations for a lucrative new development initiative along with his cronies on the city council while fighting an election-fraud investigation. After Han succeeds in eliminating a key witness, the Mayor is absolved, but lingering evidence and questions concerning the unexplained death of a police officer cast further suspicion on both Park and Han.

Han’s plan to quit the police force and work full-time for Park gets derailed by the ensuing internal affairs investigation and the sudden appearance of Kim (Kwak Do-won), an ambitious local prosecutor who’s intent on blackmailing Han to expose Park. Kim aggressively pushes the cop to ask Park leading questions and record his responses in the hopes of compromising the mayor. Han tries to buy some time by persuading his partner Sunmo (Ju Ji-hoon) to stand in as Park’s enforcer and the younger cop jumps at the opportunity to get on the take, proving himself even more adept than his mentor. Caught between his ruthless patron and the questionable deployment of the justice system, Han is forced to assess the advisability of picking sides or quickly devising a viable exit strategy.

Kim returns to familiar territory with Asura, after making Beat (1997) and City of the Rising Sun (1999), both gangster movies featuring Jung. The film also follows in a growing series of features concerned with both politicians’ and law enforcement’s abuse of power, including Lee Il-hyung's piquantly titled A Violent Prosecutor, starring Hwang. Whether South Korean politics are as fatally internecine as depicted here, the film takes as its reference point the quarrelsome Buddhist asura demigods, whose disputes could hardly be more cataclysmic than the strife depicted in Kim’s consistently bleak script.

Although at times these conflicts approach cartoonish extremes, Hwang makes a truly inspired professional criminal whose manic cruelty appears almost boundless. When Mayor Park isn’t enjoying the spectacle of his opponents getting beaten to a pulp, he’s reveling in the psychological manipulation that precedes these predictable assaults. Temperamentally, Han presents a contrast to Park, displaying a more subdued and focused facade in his quest for power and retaliation, but the two remain more alike than not, a similarity confirmed by Jung’s intensely focused performance.

Kim almost exclusively favors nighttime and interior settings, with the notable exception of a tense car chase that concludes with Han nearly consumed by the explosion of a methamphetamine-laden truck. Fight scenes are staged with brutal directness and relentless energy in an interminable series of beatings, shootings and more creatively inspired assaults. Director of photography Lee Mo-gae paints the screen in smeared palettes of blue, black and gray, playing off the hopeless desperation of the characters.

Distributor: CJ Entertainment
Production company: Sanai Pictures
Cast: Jung Woo-sung, Hwang Jung-min, Ju Ji-hoon, Kwak Do-won, Jung Man-sik
Director-writer: Kim Sung-soo
Producer: Han Jae-dukk
Executive producer: Jeong Tae-sung
Director of photography: Lee Mo-gae
Production designer: Jang Geun-yeong
Costume designer: Cho Sang-kyung
Editors: Kim Sang-bum, Kim Jae-bum
Music: Lee Jae-jin


Not rated, 136 minutes